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X-WR-CALNAME:Terrains: Mapping the Built and the Felt
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662562452
DTSTART:20260219T140000Z
DTEND:20260219T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662564501
DTSTART:20260220T140000Z
DTEND:20260220T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662565526
DTSTART:20260223T140000Z
DTEND:20260223T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662566551
DTSTART:20260224T140000Z
DTEND:20260224T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662566552
DTSTART:20260225T140000Z
DTEND:20260225T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662567577
DTSTART:20260226T140000Z
DTEND:20260226T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662568602
DTSTART:20260227T140000Z
DTEND:20260227T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662569627
DTSTART:20260302T140000Z
DTEND:20260302T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662570652
DTSTART:20260303T140000Z
DTEND:20260303T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662571677
DTSTART:20260304T140000Z
DTEND:20260304T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662572702
DTSTART:20260305T140000Z
DTEND:20260305T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662572703
DTSTART:20260306T140000Z
DTEND:20260306T220000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662573728
DTSTART:20260309T130000Z
DTEND:20260309T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662574753
DTSTART:20260310T130000Z
DTEND:20260310T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662575778
DTSTART:20260311T130000Z
DTEND:20260311T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662576803
DTSTART:20260312T130000Z
DTEND:20260312T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662577828
DTSTART:20260313T130000Z
DTEND:20260313T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662578853
DTSTART:20260323T130000Z
DTEND:20260323T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662579878
DTSTART:20260324T130000Z
DTEND:20260324T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662580903
DTSTART:20260325T130000Z
DTEND:20260325T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662581928
DTSTART:20260326T130000Z
DTEND:20260326T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662582953
DTSTART:20260327T130000Z
DTEND:20260327T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662582954
DTSTART:20260330T130000Z
DTEND:20260330T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662583979
DTSTART:20260331T130000Z
DTEND:20260331T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662586028
DTSTART:20260401T130000Z
DTEND:20260401T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260607T020701Z
UID:tag:localist.com\,2008:EventInstance_52080662587053
DTSTART:20260402T130000Z
DTEND:20260402T210000Z
DESCRIPTION:Goucher Art Galleries presents Terrains\, a two-person exhibiti
 on bringing together new paintings by Mark Luthringer and Christy Bergland
  that probe the architectures—both material and psychological—that org
 anize contemporary life.\n\nLuthringer’s practice originated in an exten
 sive photographic survey of office parks across the United States\, a coll
 ection now numbering more than seven hundred sites. In this new body of wo
 rk\, he translates those images into painting\, a shift that destabilizes 
 the documentary neutrality of the camera. Through controlled color\, sharp
  geometries\, and painterly restraint\, Luthringer presents corporate land
 scapes as sites of accidental lyricism and quiet conceptual weight. His of
 fice-park façades—designed for maximum anonymity—become charged medit
 ations on late-capitalist aspiration\, nostalgia\, and the aesthetic resid
 ue of bureaucratic decision-making.\n\nIn contrast\, Christy Bergland turn
 s inward\, rendering windows\, thresholds\, architectural fragments\, and 
 constructed box-spaces from her “Context and Experience Series” in an 
 expressionistic palette shaped by her long engagement with transitional st
 ates of perception. Her “Mining the Rocks Series” exposes the depth of
  emotional life in bedrock\, which emerges as images of storytelling relic
 s that mingle with denizens of the natural world. Bergland’s atmospheric
  blues\, softened edges\, and shifting planes evoke the unstable boundary 
 between interior and exterior worlds. Drawing on early experiences of isol
 ation as well as decades of work as an art therapist\, she visualizes spac
 es where emotion\, memory\, and physical environment coalesce.\n\nBy placi
 ng these two practices in dialogue\, Terrains foregrounds the ways in whic
 h the built landscape reflects broader cultural conditions\, while the inn
 er landscape reveals how those conditions are absorbed\, resisted\, or tra
 nsformed. The exhibition positions both artists as acute observers of envi
 ronments that are at once familiar and uncanny\, suggesting that the space
 s we inhabit—corporate\, domestic\, psychological—are never neutral gr
 ound.\n\nTerrains is on view in the Rosenberg Gallery through April 2\, 20
 26. For more information\, please visit Goucher Art Galleries. \n \n\nExhi
 bition Details\n\nOpening Reception: February 19 | 4-8 p.m.\n\nArtist Talk
 : February 19 | 6-6:45 p.m.\n\nCurator’s Tour: February 28 | 3:30 p.m.
GEO:39.40881;-76.59563
LOCATION:Rosenberg Gallery
SUMMARY:Terrains: Mapping the Built and the Felt
URL;VALUE=URI:https://events.goucher.edu/event/terrains-mapping-the-built-a
 nd-the-felt
CATEGORIES:Art
END:VEVENT
END:VCALENDAR